Music genre · Late 20th century – present

Dancehall

Jamaican genre derived from reggae, element of Roseau sound systems in the 1980s.

Definition

Dancehall is a Jamaican genre derived from reggae. The genre takes its name from the place: the dance hall, the neighborhood ballroom, where Jamaican sound systems make people dance all night. Bass dominates, drums hammer, the voice moves to the front.

The central principle is the riddim (a rhythmic instrumental) built once, then layered with several successive voices laying their flow over it. A single riddim can host multiple different tracks. It is a musical economy that changes how Caribbean music is made and consumed.

Influence on Bouyon

Dancehall reaches Dominica through cassettes, radios, and Roseau's sound systems, which broadcast Jamaican reggae alongside local cadence-lypso [S-4]. In Roseau, the genre coexists with cadence-lypso in neighborhood parties. Local bands listen, catch, integrate.

When WCK founds Bouyon in Grand Bay in 1988, the dancehall influence is present in two precise dimensions. First dimension: the riddim concept — an instrumental that can be revisited, reworked, hosting several voices — inherited from Jamaican reggae. Bouyon adopts this logic from its first productions. Second dimension: the vocal grammar of dancehall, which runs through Bouyon from the first wave to the new generation [S-1].

The Roseau sound system in the 1980s is cadence-lypso and reggae circulating in the same evening [S-4]. This cohabitation prepares the ground. When Bouyon arrives, the public already knows how to dance on fast tempos and heavy bass — dancehall has done the auditory preparation work.

This term is explored in

Neighboring terms

TIITII NBA performing — contemporary Bouyon from Guadeloupe

Contemporary Bouyon

TIITII NBA

Independent artist from Guadeloupe, conscious heir of the WCK → Triple Kay → New Bouyon Wave lineage.

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